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Sol Anderson

The Act of Listening, Objects and Noise
W: 

Stefano Catena [ DTP with U. Birmingham]

The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
W:

Robert Chafer [ DTP]

Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition

Eddie Clijsen [ DTP]

Practical Explorations of Formalised
Approaches to Microtonal Composition

Ross Davidson [ DTP]

Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W:  

Katie-Jane Howard

Audience Perception of Digital Music Instruments
in Live Musical Performance

Eva Kára

Writing the Political: Electroacoustic Music
Composition as Ideology

Matt London [ DTP]

The Integrated Soundtrack: An Analytical
Exploration of the Auditory Elements of
Music, Sound Design and Dialogue within
Horror Cinema

Christina Palandri [ DTP]

Materialising sound-based composition: exploring
multi sensory perception and audience engagement
between tactile and sonic spheres

Joe Hitchen

Kris Parker

Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film

Matt Rogerson

Sensory Overload: Noise, Mind, Emotion 

Connor Snape

Fundamentals of Adaptive Audio Design
in an IDM Context for Video Games

Joe Stillwell

Interdisciplinary Improvisation